Recasting Commodity and Spectacle in the Indigenous Americas

Authors

Edited By Helen Gilbert, Charlotte Gleghorn

Synopsis

Indigenous artists frequently voice concerns over the commodification of their cultures, a process acutely felt by those living with the consequences of colonialism. Thistimely book, which features color illustrations throughout, examines the ways in which contemporary indigenous peoples in different parts of the Americas have harnessedperformance practices to resist imposed stereotypes and shape their own complex identities. Essays by leading academics and practitioners show the vibrancy of a wide array of indigenous arts and cultural events in the United States, Mexico, Peru, Bolivia, Canada, Nicaragua, Ecuador, and Belize. As well as analyzing performance idioms, the authors trace the circulation of creative products and practices as commodities, as cultural capital, and/or as heritage. Making reference to aesthetic forms, intellectual property, and political empowerment, these essays weigh the impact of music, festivities, film, photography, theater, and museum installations among diverse audiences and discuss ways in which spectacles of cultural difference are remodeled in the hands of indigenous practitioners.

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Cover for Recasting Commodity and Spectacle in the Indigenous Americas
Published
September 18, 2020

Details about the available publication format: Free Open Access PDF

Free Open Access PDF
ISBN-13
9781908857682
Date of first publication
2020-09-18
doi
10.14296/0920.9781908857682

Details about the available publication format: Paperback edition

Paperback edition
ISBN-13
9781908857088
Date of first publication
2014-09-30

Details about the available publication format: Kindle edition

Kindle edition
ISBN-13
9781908857095
Date of first publication
2014-10-01