Gender in medieval places, spaces and thresholds
Synopsis
This collection addresses the concept of gender in the middle ages through the study of place and space, exploring how gender and space may be mutually constructive and how individuals and communities make and are made by the places and spaces they inhabit.
From womb to tomb, how are we defined and confined by gender and by space? Interrogating the thresholds between sacred and secular, public and private, enclosure and exposure, domestic and political, movement and stasis, the essays in this interdisciplinary collection draw on current research and contemporary theory to suggest new destinations for future study.
Published as part of the IHR Conference Series by the Institute of Historical Research.
Chapters
-
Foreword. The Virgin of Bethlehem, gender and space
-
Introduction
-
I: SACRED SPACE
-
1. Religious women in the landscape: their roles in medieval Canterbury and its hinterland
-
2. Space and place: archaeologies of female monasticism in later medieval Ireland
-
3. Making space for leprous nuns: Matthew Paris and the foundation of St. Mary de Pré, St. Albans
-
4. On the threshold? The role of women in Lincolnshire’s late medieval parish guilds
-
5. Beyond the sea: medieval mystic space and early modern convents in exile
-
II: GOING PLACES
-
6. Men on pilgrimage – women adrift: thoughts on gender in sea narratives from early medieval Ireland
-
7. 'Yfallen out of heigh degree’: Chaucer’s Monk and crises of liminal masculinities
-
8. The feminine mystic: Margery Kempe’s pilgrimage to Rome as an imitatio Birgittae
-
III: A WOMAN'S PLACE?
-
9. ‘Unbynde her anoone’: The Lives of St. Margaret of Antioch and the lying-in space in late medieval England
-
10. Gendered spaces and female filth: Auda Fabri’s mystical heresy
-
11. Shopping or scrimping? The contested space of the household in Middle English devotional literature
-
12. Tombscape: the tomb of Lady Joan de Mohun in the crypt of Canterbury cathedral
-
IV: WATCH THIS SPACE!
-
13. Women’s visibility and the ‘vocal gaze’ at windows, doors and gates in vitae from the thirteenth-century Low Countries
-
14. Women in the medieval wall paintings of Canterbury cathedral
-
15. Commanding un-empty space: silence, stillness and scopic authority in the York Christ before Herod
-
Afterword
Downloads
